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Rhett Martyn

Almost everything in existence is now mediated by people. The anthrosphere is blooming, wildly dominating all life on earth and all of what we know to be natural. To gaze upon green pastures as John Constable did, or to contemplate the sublime beauty of landscape as Caspar David Friedrich did has becoming difficult, at least for many people. To some extent ‘nature’ and with it ‘beauty’, in the purest sense, is becoming somewhat fantastical and imaginary. To some degree these terms ‘nature’ and ‘beauty’ are problematic, as they seem to be associated with and to describe some place or something that happened sometime and somewhere in the past. I certainly don’t relate to these concepts as I used to. Somehow, I think there should be other words to describe the kind of beauty and the kind of nature that exists in this time and place. These words ought to describe profound and poignant moments, realisations and observations that are easily coupled with this new reality. Words, divorced from their associated with heavenly vistas, with open landscape, and sunlight dancing over meadows. Really, these words should describe what it means to live in the grid, with the chemicals the detritus the data the noise, the pollution, the speed. Words to describe life as-it-is in detail, in the same way that I think the word ‘beauty’ describes the sublime marble surfaces of the Pietà, rendered carefully, slowly and lovingly by the hand of Michelangelo. Rhett Martyn

Rhett Martyn

(4th floor / Ellis House / Johannesburg)

(4th floor / Ellis House / Johannesburg)

Rhett Martyn is a visual artist living and working in Johannesburg, South Africa.

 

Masters in Fine Art (MAFA) at Wits University 2012 
 
Work experience
 
2018 Lecturer at Greenside Design Center since 2013
2011 Academic advisory position at Inscape design college
1998-2011 Visual communication, Spatial studies (sculpture) Image making, Drawing and
conceptual studies lecturer at Inscape Design College
2008-10 Character design and game design at Luma arcade
1998 Sculpture and drawing lecturer at Parktown college
1997 Foundryman, Bronze Age casting foundry London
1991-2018 Various free-lance illustration, sculpture and painting commissions, both private and
commercial
2007 Private and art time teaching at Wits tech (University of Johannesburg) and Wits
University
 
 
Selected of Exhibitions
 
 
2018  1:10 Modernist plunder; The New Constructivists;  Solo exhibition, David Krut Projects, Johannesburg
2017  The Rembrandt Fractal;  Solo exhibition, Market theatre, Barney Simon Gallery, Johannesburg
2017: The Centre for the Less Good Idea; Performance workshop and collaboration with William Kentridge , Maboneng, Johannesburg
2017: Rituals from the inner city, Solo, Hazard Gallery , Maboneng, Johannesburg
2016 The Cosmopolitan Launch show; Hazard Gallery , Maboneng, Johannesburg
2016 EQUUS, Solo exhibition, Resgallery; Johannesburg
2015 The Four Horsemen, Curated by Carina Du Randt at Cavalli Estate, Somerset West Cape Town
2015 Transitions, curated by Richard Forbes and Danny Muyburg at The Old Post Office, Johannesburg
2015 Horses at Gibs, Solo Exhibition Gordon Institue of Business Science, Johannesburg
2015 Drawing Horses, Solo Exhibition Hazard Gallery , Johannesburg
2014 Nirox  Winter Sculpture Fair, Johannesburg
2014 A different place, A different time. Dawid Ras Gallery , Johannesburg
2013 Johannesburg Art fair, Johannesburg

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recent work